Stonehenge
A walk around Stonehenge highlights the distance between what once mattered there and modern understanding.
Jason Ruiz
The first thing you notice at Stonehenge is how open everything is. Wind moves across the plain without interruption. The ground offers no shelter, and neither does the sky. Whatever sense of enclosure the stones might once have created has long since been replaced by open space, rope barriers, and footpaths that transform the site into a spectator experience.
There are people—fewer than I expected. They arrive in small groups, spend a couple hours circling the perimeter, take their pictures, and move on. Visitors come in all stripes. There are the academics, well-intentioned and ready to explain. Their language leans toward resolution; a temple, solar calendar, or maybe a cemetery. The spiritual pilgrims, searching for resonance or energy, something to be felt.
The stones don’t explain themselves. They don’t invite intimacy. They stand broad and weathered. Whatever significance they once carried does not map cleanly onto the modern moment. If anything, being there makes clear how much effort we expend trying to make it do so.
Most writing about Stonehenge begins from the position of the present. We want it to mean something to us now. We talk about symbolism, alignment, ritual, spirituality. We look for "messages" waiting to be decoded. That impulse says more about our own need for purpose.
Stonehenge took labor, planning, and shared commitment. Stones this size did not move themselves, and they weren’t set here casually. Whatever this site was for, it mattered enough to justify sustained collective effort. Standing there, what struck me was the fact that someone once stood on this same patch of ground and decided it was important. This place, now uncovered and overseen, was once significant enough to demand massive collaboration.
If there was once an internal logic to this place, it belonged to a world that no longer exists. It’s tempting to romanticize the labor involved in its construction, imagining devotion and communal effort as virtues that we’ve lost. The people who built Stonehenge lived within limits we barely understand, making decisions that made sense to them in ways we can’t fully grasp.
The real distance here isn’t only chronological. It’s conceptual. The lenses we use to assign importance—culture, belief, identity, even history itself—rest on assumptions that did not exist when these stones were raised. Trying to align today onto yesterday fails to restore the original spirit of the place.
There are signs and paths and explanations, all designed to keep the encounter manageable. You are told where to stand and how to move.
Eventually, people drift back toward the path. The wind doesn’t change. I walked away. The distance closed again.
